I had some help setting up my portable photo studio today.
Friday, April 19, 2013
There are so many things I haven't shown you lately.
I've been taking a weekly collage class with a local artist/friend for the past 10 weeks.
Three glorious hours in her sweet little studio with just two other students.
It's been wonderful.
Week one we played with distressing and painting magazine pages, and we also did some simple mono-printing on rice paper. Here are two collages I made incorporating those papers
The next week we worked on a triptych, which turned into this piece:
The task of another week was to work in shades of white:
We collaged on tiles another week:
and we used aluminum foil over various textured objects to create collages like this one:
The absolute best part of class was learning a little bit about encaustics.
My first attempt is kind of a chaotic mess, but it was really really fun to make. We used 12x12 wood panels as our base and it's got all kinds of layers of paper and wax.
(The circles are prints we made on rice paper using wood from cut trees.)
I tried something more simple for this one. I didn't use any collage papers at all, and simply stuck to painting color blocks with the encaustic paints. Not awesome, but a great learning experience.
I'm falling in love with wax, and really want to explore it more fully.
This last one makes me really really happy.
I'm sad that class is over, but I know I'll be back.
It's been incredibly rewarding to learn and create on a regular basis with an intimate group.
Thursday, April 18, 2013
When Ria invited me to join a "Favorite Artist" post card swap, I jumped to say yes without an inkling of what I would create.
Then I started to panic.
I have a really hard time picking favorites. Music has always played a huge role in my life and I have a million favorites. How on earth could I select just one for a postcard?
After completely over thinking this for weeks, I decided to go back to my first and greatest love: The Who.
As I contemplated my card, all I could picture was a silhouette of Pete Townshend's iconic "windmill" style of guitar playing. How could I use this on a postcard when I really can't draw?
Clearly this was the perfect excuse to buy the heated stencil cutter I've been wanting:
I printed a picture from the internet, placed a transparency on top and traced Pete's outline.
The tool worked really well, even on all the little curvy parts.
I was positively giddy when I tested the stencil.
How awesome is that?
Here's my finished postcard - album covers in the background, the ubiquitous target symbol from their early years, white modeling paste pushed through another hand-carved stencil of the band's logo, and my beloved Pete stenciled over the top.
This swap brought out my full-on, fan-girl geekiness.
It was incredibly satisfying.
I think Pete's going to find his way on to a lot of envelopes in the coming weeks.
I put him to good use on the envelope I sent to Ria.
Wednesday, April 17, 2013
The National Postal Museum, of course!
It's Max's spring break and we are visiting my sister in Northern Virginia.
Today I went to the fabulous postal museum in Washington DC and couldn't resist posing with Mr. Zip.
By the time I get home I will have missed six days of mail.
I'm having withdrawal symptoms.
Thankfully I brought an absurd amount of art supplies, and since my sister conveniently has a paint-encrusted folding table in her basement, I made myself at home.
My primary art-mission of the week was to finish a series of canvasses she commissioned several months ago. One pleasant evening later, and here they are hanging on her wall:
|(each one is 5"x7")|
It's funny to me that she orients them horizontally, when I created them vertically.
It's all in the eye of the beholder, as they say.
Here are close-ups of all three pieces, oriented the way I see them.
With this mission accomplished, I spent quite a few glorious hours exploring lesson 1 of my Jane Davies Extreme Composition class. The assignment involved exercises with line, the relationship of line to itself, to other lines, to the page, and to the background.
I made dozens of studies.
(here they are piled up on my sister's kitchen table)
I am LOVING this class so far.
After the various exercises in the lesson, I created this series using a "vocabulary" selected from my studies.
I could happy continue to explore these exercises for weeks to come. In fact, maybe I'll do just that while my sister is at work tomorrow.
This has been a wonderful vacation.
Some people want tropical beaches or European cities, but I can't imagine anything better than this: laughing until I cry with my family, long hours of art making, and a national love letter to the postal system.
Saturday, April 6, 2013
Have you checked out Kristin's tutorial try-out series?
Last week the tutorial to try was using glue as a resist.
For my first attempt, I grabbed a bottle of Elmer's gel glue and drew this mandala-type thing (free hand, not much thinking or planning). I let it dry overnight and then added some color with pan pastels and spray inks. It resisted the color pretty well and though you can see where my unsteady hand dripped or dragged the glue, the gel glue really held a clean line and didn't ooze all over the paper after I doodled with it. Now that it's dry, the glue has a raised, slick texture.
These next two were made by sponging Mod Podge through a stencil. The first one was a lighter/slightly uneven application of the glue. Once dry, I used red acrylic paint over it and it wasn't resisting very well. I spritzed it with some water while the paint was still wet and gave it a good scrape with a stiff card and then the white squares were more visible.
I used more glue on this next one, and I watered down my paint before applying it and the resist was much more obvious. I used a sponge brush to apply the glue and it dried nice and flat without much texture.
For this next one I brushed Mod Podge over a hand carved stamp and pressed it on the paper.
It was a little hard to get just the right amount of glue and to keep it from smooshing around too much while I stamped it, but it did a great job resisting the acrylic paint.
Here's another attempt at brushing glue on a stamp.
Less glue = less smooshy, but also a more subtle resist.
This next one was done by dipping various size bottle caps and jar lids in Mod Podge and stamping with them. The circles are slightly raised. I like the way this one turned out.
This next one is just glue stick smeared at random. I applied pan pastels after it dried and it looks a bit like a stormy sky.
I was on a roll, so I decided to see what would happen if I drew something with hot glue.
It certainly acted as a resist, but the cloudy hot glue over the boring white paper didn't do much for me. I ended up rubbing gold all over the raised bits and around the edges.
I tried the hot glue again, but this time I used some patterned paper underneath, hoping it would look cool showing through the glue. After the glue dried, I painted around it with gesso, and then used pan pastels to add layers of color over that. The paper sort of shows through the glue (the raised glue swirls have no paint on them - the bluish green color is the background showing through).
I added doodles with gold sharpie and a fine point black pen.
I think I'll send these two to Gina for her Resident Mail Art project, since many of the residents have low vision and appreciate high contrast and/or textured art.
All of this gluing reminded me of a technique involving drizzled rubber cement and water colors. I drizzled, I let it dry, I painted, I sprinkled salt while the paint was still wet, I let the whole thing dry then rubbed off the salt and rubbed off the cement. I'm thinking of doing this with my summer camp kids this year so I made this with super bright liquid watercolors as a fun sample.
So now I have a stack of resist backgrounds - what the heck will I do next?
The messy glue stick sky inspired this landscape made with "citra solv" magazine pages, and gelatin printed deli sheets.
I cut up the red squares and the black stamp shapes to make this collage. I added some metal fake
gears and used the stamp again to emboss that silver shape at the bottom.
I used the orange circle background for this little collage, inspired by the stamps that came on an envelope from Jez this week.
(purple textured scrapbook paper and a green gelatin print of a leaf)
And if you're not completely tired of resist techniques, let me show you one more.
Kristin's first week of "tutorial try-outs" featured this Vaseline resist technique from Julie Fei-Fan Balzer.
I grabbed a stencil, laid it on some white card stock, smeared a heavy layer of Vaseline through it, lifted the stencil and painted all over the paper (and Vaseline) with a mix of blue/green/yellow acrylic paint. When it was dry I wiped off the Vaseline.
It looked cool and left some pretty crisp lines showing, but since I have a hard time visualizing "positive" and "negative" space, I couldn't really see how this was different from just using my stencil the regular way.
So I laid the stencil over the painted background and used black paint over the stencil, like so:
Finally, I had to give the Vaseline one more shot. I put the stencil over the painted background, rubbed on the Vaseline again, peeled off the stencil and this time painted black paint just on top of the Vaseline, not all over the page. It got a little muddy in places, but still looked kind of cool.
Overall, this was not as messy as I assumed it would be, and didn't leave the paper as greasy as I thought it would. It was pretty fun.
Here's how I pulled all three together of the above prints into a postcard. The white and black images were overlapping on the original paper, so I judiciously cropped the page to 4x6 and then cut out the black Vaseline shape and glued it on top.
Many thanks to Kristin for hosting this little party, pointing out these great tutorials and inspiring me to try something new. I can't wait to try out this week's tutorial!
Monday, April 1, 2013
I won a spot in Jane Davies' Extreme Composition class.
Could you hear me squealing with delight just a few minutes ago?
I love Jane's work.
I took her "keys to dynamic composition" class last year and got a lot out of it.
I want to be able to paint like Jane, without making paintings that look like Jane's.
Here are four Jane-inspired postcards I made last week.
Class starts Wednesday.
I'm so excited!