It's official:
I'm going to San Francisco
The flight is booked, and so are the accommodations.
(and let's give a shout out to my mom for making that awesome airplane card pictured above and for slipping me some financial assistance toward the whole extravaganza)
I'm out of my mind excited that I'm finally going to meet Gina and Pamela, who live in San Francisco, and rumor has it, other mail art buddies are flying in from far flung places. Tina is coming from Minneapolis and staying in the apartment Mandy and I are renting.
Who else? Will it be you?
It's also official that I've submitted a piece for the mail art exhibit that weekend.
The theme is "mail/art/book" -
"Artists
are invited to submit work exploring the intersection between mail art and
artists’ books, in whatever way, shape, or form that may take. Mail art,
artistamps, artists’ books, and other artworks that can be mailed and relate to
the theme of mail/art/books are encouraged."
I've known about the October 15th submission deadline for well over a month. Maybe two months.
At first I was simply procrastinating because I had plenty of time. Then, as the date drew closer, all semblance of inspiration dried up and blew away.
I had ZERO ideas.
Until Saturday night.
Less than 72 before the post-mark deadline, I had a freaking brilliant idea.
Here's how I spent my weekend:
Yup, it's a book/postcard in the shape of a vintage Post Office Box.
It opens to reveal an accordion book:
It was designed to have a fully functional lock. Turn the knob on the front and the lever in the back locks the door. Sadly, once the book was inside it was too fat to properly lock. The box needed to be deeper. Too late to fix it since it has to be in tomorrow's mail.
If only inspiration had struck a few weeks ago....
It has to be sent naked, with the postage affixed directly to the art.
I'm going to have to wrap the whole thing in twine before I mail it, in order to keep the door shut.
So it goes.
Here are some close ups of the pages of the book.
The entire piece is called "Letters never sent."
The handwriting is taken from pages of my journals. I go through periods of writing "morning pages" (as recommended in Julia Cameron's book "the Artist's Way")
Three stream-of-consciousness pages every day, never to be read again.
I was getting ready to burn some of these old pages, but I found a better use for them.
This project also motivated me to make some artistamps (faux postage using my original art)
Here's a little video showing you how the whole piece works:
If I had more time, there are some things I'd do differently, but overall, I'm really, really happy with the way this came out.
I will bring it to the post office first thing in the morning. I'm nervous that it will not arrive intact. Assuming it does, it will be part of the exhibit at the San Francisco Center for the Book - opening reception February 14, 2014.
Will you be there?
I will!